Soundtrack Ideas

These Soundtrack ideas came from Tom and Lee's research, they would play these to me as well to get my opinion on them as I was making the storyboard at the time. I contributed to the discussions and ideas posted below:

I was researching Ideas for our thriller opening soundtrack. I liked the calm piano opening and the tempo of the song. It being slow and calm and slowly building up, the build up taking 40 seconds. The stop at 40 seconds would fit in nicely with a scene within our opening and thats something I would want to re create in our soundtrack. As a group we decided we didn't want any vocals to the backing music. Listen here.

The intro of this song is very calm and suspicious, it would suit the intro to our Thriller. But since the intro is so small something like this would be difficult to use without repeating it which may not sound as good. Listen Here.

Casting in our Introduction

The casting will be fairly simple:

Son:
Actor - Andre Francesco Santos - Allan (me)
Description: The reason why I am going to play the role is because I am 16 myself therefore I fit the profile to play the Son character too. We managed to also fail to get anyone else to fill our placement so therefore I chose to play the character.

Mother:
Actor- Amy Clarke
Description: We could not find anyone to fit the Mother character who was of a more mature age so therefore we asked Amy to fill the role despite her age of 16, we feel she may be able to effectively fill the role and play the character, with the use of poor lighting and costumes we will hope to not reveal her age but hopefully this will not be a problem, the problem we may encounter is showing she has Polio, however at no point do we directly mention she has Polio therefore it leaves vagueness to the audience wondering, effective at keeping the audience wanting to carry on and gripped.

Script for Opening

There is very little speaking in our introduction however at the scene between the Son speaking to his mother and her disappearing away there will be speech between them two, the mother saying her goodbye.

Mother: Son, please come here, I have to tell you something.

Son: -Walks over and falls to his knees-



The son moves in, putting his ear closer to his Mothers mouth as she begins to speak.

Mother: I am really sorry, son. I never foresaw him to be like this.

Son: It's okay.

Mother: Afraid my time is running short.

Son: Mother?

At this point the mother will fade out, using a ghosting effect. 

Location of Filming - Older

The location of the filming

The location on which we are going to film the opening scenes is going to be at Salle in a farm just outside of the village.

A) This is the first farm 

B) this is the second farm 

The first farm that is pinned on the map shows the first farm we have access to and can film on (Lee's Granddads farm) and we may film on this farm if something goes wrong however it is only going to be used as a contingency plan. The Second farm is placed on the map with the 'B' and this farm shows Lee's uncles farm, we plan to use this farm because it has more land and outbuildings to film on along with the corn field we need for our introduction. This will be the location for the majority of our filming however we will also film in Norwich for the final scenes. 

Above you can see the location for our filming in Norwich, it is shown by the green marker, we chose this street because it is often fairly busy and will go along with the confusion he is meant to be portraying in this scene at the end. 

As a contingency in case we do not have enough time to finish filming or do not reach filming in Norwich, we will then film in Reepham town centre because it will too be effective and easy to reach, as seen from the directions in the photo (Point 'A' is the College and point 'B' is the town centre.)

This is the alley way where I feel would work to film in because it creates the feeling of claustrophobia and would be very effective to show crowdedness if a lot of people were seen in the scene walking down this alleyway, creating the effect we want. 

I updated this on my own, see here.

Animatic Story Board

Script for animatic storyboard

First shot: So from this shot we see an over the shoulder shot showing the kid holding the picture of his mother and himself, this begins to show his emotions flow and the audience is supposed to see this. The focus will go in and out of focus as the camera moves around him. In terms of editing the fades into the opening will be slow and the music will begin before the visuals. This helps us create the desired dark shot we want. On this picture the name of both the characters will be seen, as this is easier for the audience to understand. The lighting in this shot will be moderate however in post productions we will make it look darker; this goes for all scenes within the hut. Cut to second shot.

Second Shot: This shot is a close up of the sons face, showing little background. The audience will feel a close connection to the character (hopefully), feeling sympathy toward him. The shot will be taken from around about where the photo was being held by the son. No transition just a cut.

Third Shot: This will be a long shot from the upper of the building if possible showing the characters on the floor. As the son gets up it will show his weakness. We will probably place the title text here, ‘Eye for an Eye’. The character, the son, will walk over to his mother.

Fourth Shot:  This shot will be a high angle shot of the mother and this will portray the pain that she has been through and it will hopefully be effective at creating a lot of emotion and begin to reveal a little bit of the plot. Cut to fifth shot.

Fifth shot: This will be where the son moves towards to his mother and this is close up again of him, but it turns into a flashback and the son moves slightly.

Sixth shot: This flashback will be a millisecond view of a farm, possibility in change of the colour correction for this scene. Light flashes in and out of the scene.

Seventh shot: This is essentially the same shot as the fifth shot however the expression on the sons face will be very confused. However he will continue to move into his Mum.

Eighth shot: This is a low mid shot from the side, which will show both characters. The son character will walk onto the shot and he will then fall to his knees in weakness and lack of motivation. He then crawls towards the Mother character who is cramped in the corner. Cut to 9^th shot. Speech in this shot between Mother and Son, this is going to be the Mothers last words to her Son as she dies of Polio from paralysed respiratory system and failure to breathe and she did not receive the vaccine due to being locked away.

Tenth shot: This is a long shot of the character, Son, having a panic attack and he is attempting to punch walls to escape as his Mother has just passed away from Polio. Potentially to use a blur as a transition however likely to just use no transition and just cut to eleventh shot.

Eleventh Shot: This shot is going to be a close up of the lock, it’s going to be a pull focus from the lock to the Son in background as he notices the lock and recognises an escape route.

Twelfth shot: This is going to be a Point of View shot where the character is searching for an item on the floor to break out with and pick the lock. The characters hands will be in the shot to back up the POV feeling. As he finds the paper clip, he clams his actions as he has found a hope to escape. Cut to 13^th shot.

Thirteenth shot: This shot pans up from the floor, following the key as it lifts up in his hand. The camera will be facing him however the focus will be on the paper clip and the audience will just see a blurred background. Cut to next shot.

Fourteenth shot: Close up of lock picking, there will very little in view or focus other than the lock. Should be a short clip. Can incorporate a POV shot into this. Cuts to next shot

Fifteenth shot: This shot will be a long shot of the door opening and the characters silhouette in the arch way. Cuts to next scene.

Sixteenth shot: Pan following the character falling to the ground, shows his relief and happiness to have escaped out of his evil fathers hands. As he walks out of the door and falls to his knees the camera will crab or pan and follow him. Cut to next scene.

Seventeenth shot: This shot is over the sons shoulder and it shows him raise his head and view the field that he will eventually escape to. Cut to next scene.

Eighteenth shot: This shot is going to be a side on shot that will pan, showing the character running toward the field to escape. Cut to next scene.

Nineteenth shot: This then turns to a close up of the characters face running toward the field showing his hope. Fade or cut.

TIME LAPSE

Twentieth shot: This shows the character now leaving the field that is by the road. However we are not sure if this will be entirely possible due to locations and wether we can find one a location that falls within our requirements. If we do not find somewhere then we will just skip this shot. If we do however we will fade transition into next shot.

Twenty-first shot : This shot will have a close up of the son character who is lost and confused in Norwich and this will hopefully be using a rig mount upon the chest to stabilise the image as seen in JME's music video. 

Planning Edit

First shot:
Over the shoulder from the kids point of view. This camera angle would help to show the audience the characters emotions towards the photo. Fades in slowly and later than the music. Colour correction makes the scene darker than normal. This would help create the desired look and would help set the scene of our thriller. Cut to the second shot at the end of this first shot. The character name of the mother will appear on this scene with the picture of her.

Second shot:
A close up shot, showing only the characters face. This will show the emotion the characters face and the ordeal he is going through. The lack of objects in the background, just the sky, will show how lost and abandoned he is. There would be a clean quick transition as no fade would be needed.

Third shot:
Long shot/birds eye from the farm with the character in the distance. Showing his weakness as he gets up.  The titles text will appear on this scene. Blur transition to effect the change in range.

Fourth shot:
High angle shot of the mother. This will portray the pain that she has been through. This will be effective as we are able to create a lot of emotion within the opening scene. The transition again will again be a quick clean cut.

Fifth shot:
Close up of the child character.  Quick clean transition.

Sixth shot:
Flashback longshot of the farm. Very short duration. Change in colour correction for this scene. Light flash in and out of this scene.

Seventh shot:
Back to the fifth shot, flash transition into it from the flashback.

Eighth shot:Low mid two shot from side of both characters. The child character walks onto the scene and falls to his knees shows his weakness and lack of motivation.  Crawls hands and knees towards mother who is cramped in the corner. No transition into this scene.

Ninth shot:
Extreme close up of mother speaking into the characters ear.  Clean cut transition.
- Same angle and shot without the mum in the scene.

Tenth shot:
Long shot of the character going mental. Blur or no transition.

Eleventh shot:
Close up of the lock. Pull focus from the lock to the child in the background. Clean cut transition.

Twelfth shot:Point of view shot of the character searching on the floor for an item to break out.

Thirteenth shot:
Panning shot from the floor following the character rising from the ground with the paperclip. The Paperclip would be the object in focus, and the audience would only be able to view the outline of the character.

Fourteenth shot:
Picking the lock, close up. Very little in the shot apart from the lock and chain.

Fifteenth shot:
Long shot of the door opening and the character in frame behind the door.

Sixteenth shot:
Mid shot of the character falling to the ground with happiness and surprise, along with being weak. Pan follows him falling

Seventeenth shot:
Over the shoulder shot as the son lifts his head to view the field in his line of sight.

Eighteenth shot:
Long shot from side on of character running towards the field

Nineteenth shot:Close up of character entering maze field.

Twentieth shot:Character leaving the field and running along road, mid/long shot

Twenty-first shot:Close up of the character in norwich, lost and confused

With thanks to Lee and Tom who typed this up as we were creating the storyboard at the same time therefore I contributed by giving my ideas and amendments to our scenes.

*EDIT* Added extra scene (17th shot) to fit our storyboard as that is what I have created into the storyboard, or else it would not be a very fluid scene.

Storyboard Basis

Compiled Frames to short video

Storyboard Frames